Abstract blue painting
1428 creative works found
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A list of all the other great artists that made it into Gaia is here / / / / Have a look at my other photos. For example: / / Or browse through one of my categories animal / building / cemetery / church / damselfly / dragonfly / fall / flower / france / insect / leaf / macro / nature / other / reflection / water
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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Acrylic abstract on stretched canvas.
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Acrylic & Silver Foil On Canvas Specially added for Sorinna – Thanks for looking at my blog and requesing this for purchase, hope you enjoy!
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The labyrinth was a maze created by the brilliant engineer Daedalus for King Minos to hold prisoners from ever escaping. The Minotaur resided deep within it’s depths, later to be slain by the hero Theseus. Of course Daedalus himself later became a captive to his own creation. Since even he could not find a way to escape from his own construction, he devised wings of wax and feathers and string, and, along with his son, Icharus, flew from the confines of the labyrinth. Icharus, not heeding his father’s warning, flew on too high toward the sun, causing the wax in his wings to melt; and he fell to the earth, and his death. / The labyrinth has been observed in many cultures to be a metaphor of the depths of the human psyche. From the ideas of old Greece to medieval cathedrals to the modern ideas of the psychoanylist Carl Jung, the labyrinthean depths of our own minds may very well be of the very highest construction and capability, as well as our greatest obstacle toward true enlightenment and freedom. / Original work was created using watercolor and gouache media on Arches cold-press 180lb. cotton rag.
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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Three seperate canvases combine to create Scribbly Gum Tryptch / Oil on scretched Canvas. / 3 x (34cm x 120cm) Layers of subtle glazes were used trying to create a flowing natural backgroud to this magnificent variety of gum trees. The texture of the knots were equally important. Leaving the looseness of the larval tracks to the last. This work was created to support an upcoming exhibition by the Southern Printmakers Association entitled ‘Earthwritings’. / More of my Works /
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Painting with Apophysis overlays
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. 1o.o6.2oo8 / acrylic on canvas / 24”square .
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Oil on canvas. Size 24” x 57”
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Original size 150×125 cm Details /
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abstract of sunset in red, yellow and blue
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Often those we believe we are closest too are no more than strangers in our lives. Acrylic On Canvas. Original Painting is 110cm x 110cm. / Painted 13.10.2007
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Acrylic on stretched canvas. Digitally altered.
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Abstract in acrylic
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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Collage and Apophysis layers
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Collage pen and ink watercolor.
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Photo, collage and Apopohysis layers
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In my most recent series: ‘Face Navigation’ , I have used the fluidity of watercolour painting to express a personal perception of self and others. There is an awareness of the universal human condition through facial expression, and in some cases I create a progression of images, exploring the changing perception of a person by deconstructing facial recognition. As there is a shift over time in attitude or mood, there is a corresponding shift in visual interpretation. Sizes variable, average sizes 250×102 mm. Watercolour on rag paper. / / Web: www.littlemalopgallery.com.au For availability of original work, please contact Robert Avitabile at: METROPOLIS GALLERY / 64 Ryrie Street / Geelong, Victoria, AUSTRALIA 3220 Telephone: +61 3 5221 6505 www.metropolisgallery.com.au
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Acrylic On Canvas
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Collage with Apophysis overlays
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After the beginning of the terraformation.
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